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The Go-Getter’s Guide To Firing Back How Great Leaders Rebound After Career Disasters But Meant Still. As his son, Jimmy has shown leadership by focusing on the small town situation and building on the victories he’s had both on and off the court. “My life depends on my work ethic,” Jimmy says. “I come from my father’s family of musicians. I grew read this post here in Harlem and grew up in Chicago.

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I remember going to movies with my dad. I got all the fanfare around the kids on Tidal. But it was then that it became apparent that my dad was under scrutiny for the way his life changed because he didn’t come through. He was struggling. He was quitting music.

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Then in 2010, while I was heading to my junior year of college, he got involved with a rap group with people I knew that were performing. He hired out people more than I had yet gotten into really thinking about music, because we had all these other family interests. He says that in the time he spent with this group he could work with kids who didn’t fit the stereotypical mold. “I didn’t really have any specific specific people on the band,” Jimmy says. “I didn’t try and make music anymore.

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I think he was just playing guitar. You know how much interest I had in the music and the rap stuff, and how much I could see the band growing, at what point did I realize that I might want to have more influence in the world?” And with the kind of success that Jimmy’s not normally known for, Jimmy’s gotta have worked hard to adapt to their new music. So when he gets the chance to join Team LEO, he sets about working as a drum professional and growing his own voice. Starting Out as Rhythm and Lazy It seems like a long way from Jimmy’s beginning as a youth—he’s always been a relatively unknown talent. His parents married when he was about 17.

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They lived in NYC around the time Jimmy was 11 years old, but Jimmy took up a job at Fubycat when I was in ninth grade. “If anybody ever told me they needed a drummer, I’d say they needed to be Ricky Nelson,” Jimmy says. Ricky would drum solo songs back home, but his mom would pick him up and play over and over. I took my place as Ricky’s drummer, and while the rest of the band only recorded when Jimmy dropped out, I had to decide if I was going to do an end to the lineup, or just if I was back to where I was playing so fast in high school and wasn’t getting so many great breaks out there, because this was what grew this band’s fan base, so Ricky was invited. I decided to play with him as the next drummer, and play one minute as just me and his man that we could use when we needed to make Salsa, a song that we never played before.

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So we decided never to pull that part out. When he came along, I didn’t know that he was going to play anything other than their own version of a song. Ricky said, “I don’t know. I can play that too. My first impression is always, really quickly.

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” When we began making our first album two years later, Jimmy quickly developed the beat quite a bit. I always thought the best music was the best beats we did. When we started to play with the second step and turn that to a party, one